Iris Brosch

4 Girls sitting on bed and brushing hair for French ELLE

2004

Chorus Mysticus Edition of 25 signed and numbered by the artist In this nude photograph, the artist refers to Chorus Mysticus from Goethe's Faust. CHORUS MYSTICUS (Goethe's Faust) ...

Chorus Mysticus Edition of 25 signed and numbered by the artist In this nude photograph, the artist refers to Chorus Mysticus from Goethe's Faust. CHORUS MYSTICUS (Goethe's Faust) ...

Chorus Mysticus Edition of 25 signed and numbered by the artist In this nude photograph, the artist refers to Chorus Mysticus from Goethe's Faust. CHORUS MYSTICUS (Goethe's Faust) ...

Edition of 25, signed, titled and numbered A portrait of a beautiful naked woman with chains. Tina Trumpp discovered her love of photography early on, but started working professio...

Edition of 25, signed, titled and numbered A beautiful naked woman is looking into a mirror. Tina Trumpp discovered her love of photography early on, but started working profession...

Limited Edition 25 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aestheti...

Engulfment (Stadium #1) by Javier Rey Color Archival pigment print Image size: 75 cm H x 50 cm W. Edition of 7 + 1AP Unframed "The first encounter I had with the abyss, was arrivi...

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...

Kickers (Walk like you understand Fashion) - 2015 28x28cm, image area 25x25cm, plus 3cm white border, Edition of 7, plus 2 Artist Proofs Digital archival pigment Print on beautiful...

RANONKEL #1, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

Amorphism 3 by Javier Rey Archival pigment print Image size: 110 cm H x 85 cm W. Frame size: 114 cm H x 89 cm W x 4 cm D Edition 2/2 + 1AP Amorphisms explore the distorted and neg...

Burned (Self Portrait), 1999 Edition of 2/10, 20x20cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on a Polaroid. Signature label and Certificate. Not ...